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Showing posts from December, 2025

FiiO's wired FT13 over-ear headphones offer unique design and an organized sound, they just lack a bit of bite

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FiiO FT13: Two-minute review If you’re after a touch of individuality in your wired, over-ear, closed-back headphones, the FiiO FT13 have you covered. These are big, relatively bulky headphones but that does mean that on the outside there’s plenty of room for a quantity of highly polished purpleheart wood, while on the inside you've got a pair of 60mm ‘W’-shaped dynamic drivers that offer a frequency response of 7Hz - 40kHz. The standard of build and finish is excellent, and the combination of plenty of adjustability in the headband and some judicious clamping force means the FT13 are comfortable in situ. Mind you, the use of lambskin on the inside of the headband, and the choice of suede even more lambskin for the earpads, means vegetarians aren’t going to be comfortable in the slightest. Inside the big, nicely tactile travel case there’s a choice of four cable terminations, along with a generous length of very credible Furukawa cable that connects to both earcups. These optio...

Metroid Prime 4: Beyond was worth the wait – even if it occasionally gets lost in the desert

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Metroid Prime 4: Beyond's title screen is somewhat indicative of the game as a whole. The hypnotic, curvy eye motif and mysterious purple hue are backed by yet another belter of a title screen track; a series staple I'm glad is intact here. The presentation is immediately absorbing, and it's hard to suppress the goosebumps at the feeling that Metroid's 3D subseries is truly back. And then the whole aesthetic is ruined by a massive 'Nintendo Switch 2 Edition' logo slapped dead center of the display. Review info Platform reviewed: Nintendo Switch 2 Available on: Nintendo Switch, Nintendo Switch 2 Release date: December 4, 2025 Nevertheless, Metroid Prime 4: Beyond absolutely holds up against the games that came before it. It's leagues ahead of Metroid Prime 3: Corruption and its Wii Remote waggling gimmicks and unsatisfying exploration. Beyond also returns to an atmospheric feel very much in line with the original Prime. The usual biomes are...

I tested the new Sony A7 V, and now it's my favorite Sony camera ever

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Sony A7 V: two-minute review Some photographers, possibly even those working at Sony, see the A7 range of mirrorless cameras as the firm’s entry-level full-frame models. On paper alone, this may seem a reasonable suggestion when comparing the specifications to the most premium models. However, the Sony A7 IV , launched in October 2021, carries a 33-megapixel 36x24mm sensor, ISO50-204,800 sensitivity range, 5.5EV in-body image stabilization system, and a top continuous shooting rate of 10 frames per second. It’s by no means a slouch and this is all available for under $2500, so while it might be one of Sony’s more affordable E-mount bodies, it has been able to give pro-spec cameras a run for their money for several years. On the face of it, the A7 V seems more of an iterative upgrade to its predecessor, rather than a revolution. However, once you dig deeper, there is a lot of exciting new technology to explore. Debuting the new partially-stacked sensor and new Bionz XR 2 processing e...

Jay Kelly is a new Netflix movie you need to stream this week – it’s George Clooney’s finest hour

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Let's not beat around the bush with what director Noah Baumbach is trying to achieve with Jay Kelly, it's a blatant love letter to George Clooney. The new Netflix movie is self-indulgent to the point of rubbing in it in our faces, and I'm as surprised as anyone else that I have no problem with that. In fact, I think it's this indulgence that means the film can exist and emote in the way that it needs to. Clooney and the character he plays Kelly are basically one synonymous figure, gently poking fun at a sadness that runs through the veins of Hollywood. As they say, you need to be your own cheerleader, and look where that can get you. Where I was expecting to be emotionally eviscerated by other movies at the London Film Festival (namely Hamnet , as every critic and their dog suggested), Jay Kelly delivered meditative heartbreak where its programmed rivals have failed to. There's nothing too overt or gauche happening to achieve this, merely a lot of sitting in t...